Musical 'Frozen' embraces a K-pop sensibility in Arendelle... "Multicast is a strength unique to the Korean premiere"
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- 2026-08-04 10:32:28
- Updated
- 2026-08-04 10:32:28

[Financial News] Overseas production staff preparing for the Korean premiere of the musical 'Frozen' cited the strong skills of Korean actors and the multicast system as key strengths. They also said they had blended the distinctive K-pop vocal color heard in Korean performers into the show's music in a harmonious way.
Multicasting, difficult but a special advantage unique to Korean productions
According to S&Co, the musical's producer, on the 4th, associate director Adrian Schaple pointed to the multicast system as the biggest feature of the Korean production. The Korean premiere includes Schaple, associate choreographer Charlie Williams, and associate music supervisor Sebastian De Domenico.
Schaple said, "Actors playing the same role can watch one another's performances, understand the character from different perspectives, and discover new interpretations." He added, "The fact that they inspire one another and grow together is a special strength of Korean productions."
Associate choreographer Charlie Williams also said the focus was on bringing out each actor's individuality and strengths. He said, "We do not apply the same choreography to every production." He added, "Because we create choreography by considering each actor's personality and strengths, every country ends up with its own special version of the show."
Associate music supervisor Sebastian De Domenico said he emphasized preserving the essence of the work while highlighting the vocal color unique to Korean actors.
He explained, "The tone and delivery of Korean actors naturally carried the influence of K-pop." He added, "Rather than forcing them to abandon the styles they are used to, we wanted to weave each actor's individuality naturally into the production." He continued, "We spent a lot of time thinking about how to blend the actors' strengths with the existing music, and the finished sound is astonishingly good."
"Three Annas and three Elsas, each with a different charm"
For the Korean premiere, Jeong Seon-ah, Jeong Yu-ji, and Min Kyung-ah will play Elsa, while Park Jin-joo, Hong Geum-bi, and Choi Ji-hye will play Anna. Cha Yun-hae and Shin Jae-beom will play Kristoff, Kim Won-bin and Hwang Geon-ha will play Hans, and Jeong Won-young, Han Gyu-jeong, and Lee Chang-ho will play Olaf. A total of 47 actors selected through a long audition process will take the stage.
The production team compared Elsa and Anna to "Olympic athletes of the musical world." The remark reflects how demanding the roles are, requiring not only singing, acting, and comic timing, but also the physical stamina and mental strength to carry the entire performance.
Schaple said, "Elsa needs overwhelming vocal power, dignity, and the ability to express deep inner emotion in order to deliver her signature numbers." He added, "Anna must have a warm heart, rich charisma, and sharp, precise comic timing."
He added, "What surprised me most while working with the six actresses playing Elsa and Anna this time was that, even when performing the same role, each of them showed a completely different charm." He said that if audiences see the show more than once, they will be able to discover interpretations that change depending on the actor and the casting combination.
Schaple said the three actresses playing Anna share humor and warmth, but each expresses the character in a different way.
He said, "One actress is quirky, eccentric, and extremely funny, so there is no need to add anything extra to make her look like Anna from the film." He continued, "Another shows deep sincerity and warmth in her relationship with her sister, while the third has both playfulness and rich emotion." He emphasized, "It is important to find yourself within the character."
He found that the three Elsa actresses shared dignity, nobility, and deep emotion. However, he said their ways of interpreting the lines through song and shaping musical phrasing were all different.
Schaple said, "If audiences come to the theater multiple times, they will be able to enjoy seeing 'Let It Go' interpreted in three completely different ways."
Not only the leads but also the supporting cast offered fresh interpretations. He said, "I found new moments in the actor playing Weselton, and one of the actors playing Olaf showed unique habits and expressions I had never seen in productions from other countries." He added, "The choices that only that actor could make worked naturally and beautifully. It is amazing and fascinating to see actors create interpretations I had not thought of."


"Not only Elsa, but Anna's vocal technique is much more difficult than people think"
De Domenico noted that the vocal technique required for both roles is far more demanding than many people assume.
He described Anna's Act 1 solo, "For the First Time in Forever," as "one of the hardest songs to sing in musical theater today." He explained that, as a song that reveals Anna's many-sided personality, it requires rich vocal expression, sustained high energy in a certain range, and the ability to act out the character's emotions and situation throughout the entire number.
He said Elsa's signature song, "Let It Go," requires performers to overcome not only technical difficulty but also psychological pressure. He explained, "It is a song known by everyone around the world, and audiences expect a perfect performance." He added, "Because the actor herself feels pressure to deliver it flawlessly, she must endure both the technical demands and immense psychological burden at the same time."
Frozen Summer, visited by more than 15,000 people
'Frozen' is a stage adaptation of Disney's globally beloved animated film of the same name. Following the movie, Kristen Anderson-Lopez and Robert Lopez wrote the music, while Jennifer Lee wrote the script.
Memorable scenes from the film, including the mysterious aurora, the frozen kingdom of Arendelle, and Elsa's ice palace, are brought to life on stage through set and costume design rooted in Scandinavia's natural landscape and worldview, along with intricate choreography and special effects.
The Seoul production will open on the 13th as the 20th anniversary production of Charlotte Theater. The Busan production is scheduled to be staged at Dream Theater in 2027.
Meanwhile, about 15,000 people visited the pop-up event "Frozen Summer," which offered a preview of the Korean premiere of the musical 'Frozen.' According to organizer Clip Service, the pop-up, held at Lotte Department Store Jamsil Branch from the 17th to the 30th of last month, featured a giant ice pillar photo zone, rehearsal photos of the Korean premiere cast, and interactive content for visitors. It drew a strong response by giving audiences a chance to experience the atmosphere of the show in the middle of a midsummer city.

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