Word-of-Mouth Hit Musical 'Dream Journey to the Peach Blossom Paradise' to Continue Its Run at Charlotte Theater in April

[The Financial News] The musical "Dream Journey to the Peach Blossom Paradise" wrapped up its run at the Haeoreum Grand Theater at the National Theater of Korea on the 22nd, receiving a standing ovation from the audience.
According to ACOM on the 23rd, after successfully completing its engagement at the National Theater of Korea, "Dream Journey to the Peach Blossom Paradise" will take a short break and then resume performances at Charlotte Theater in Jamsil, Seoul, from April 11 to May 10.
Producer ACOM stated, "It was a time that once again confirmed the limitless potential of Korean-themed content," adding, "For the Charlotte Theater run, we will further refine the production so that even more audiences can fully experience this beautiful and thrilling stage."

Based on Choe Inho's novel "Mongyudowondo," the production beautifully recreates on stage the unique emptiness and ink washes of traditional ink painting through modern video technology, prompting critics to say that "the stage itself is a work of art."
The show goes beyond simply retelling a folktale, visually amplifying both primal human desire and the transcendent value of sublime love. In the scene where the stage transforms into a giant Go board, the tightly synchronized choreography of black and white stones creates a symbolic highlight of the work, where dynamic energy and restrained aesthetics coexist.
Its musical experimentation is also bold. Over the rich sound of a Western orchestra, the refined and mysterious tones of traditional Korean instruments such as the daegeum and piri are layered to create an original soundscape. On top of this, the sharp electric sound that erupts in key numbers like "Old Song of Mokji" and "Dear You" gives modern expression to the characters' overwhelming obsession and desperate inner turmoil. This tension breathes new life into the contemplative aesthetics of Korean traditional music and delivers a catharsis that infuses the classical narrative with vibrant energy.
The driving force that elevated the work to its highest level of completion was, without question, the cast's intense and focused performances. Min Woo-hyuk and Kim Jutaek, who share the role of King Yeogyeong, portrayed the inner world of a lonely ruler destroyed between love and madness in a raw yet multidimensional way. Ha Yoon-joo and Yuria, playing Arang, conveyed the character's noble convictions through their mysterious vocal colors and delicate emotional arcs, leaving a deep impression. Lee Choong-joo and Kim Seong-sik as Domi added weight to the narrative with explosive vocals and sincere acting, overwhelming the audience.
The ensemble, which completes the energy of the stage, also delivered standout work. In particular, the Go match between "black and white" has been etched in audiences' memories as a defining scene of the production, where dynamic choreography and imposing stage design come together in perfect harmony.
jashin@fnnews.com Shin Jin-ah Reporter